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LONDON, Sept 14 (Reuters) – Oasis, the defining rock band of the 1990s Britpop era, announced a 38-date 2027 tour across Britain, Ireland, mainland Europe and the United States on Monday.

To ​avoid a repeat of a ticketing fiasco when the ‌band’s frontmen, the Gallagher brothers, first made a comeback in 2025, fans can register to access a window to buy tickets.

Standard ticket prices for the new tour will be fixed and range between £71.50 ($96.50) and £266.60, promoters said.

In a statement, Oasis said, “Start ‌the ​celebrations”, adding they would “once again return to ⁠lift the spirits of the ⁠people”.

“Come witness the fitness,” the statement said. “It shall be a sight to behold.”

The band, whose hits include “Wonderwall” and “Don’t Look Back in Anger”, will start with five shows in Glasgow in May before ​moving to Manchester, their home city in northern England, for 11 dates at the Etihad Stadium.

Dates in Munich, Barcelona, Amsterdam, Paris, Rome, ⁠Boston, Las Vegas and Slane Castle, ⁠Ireland, follow before Oasis finish with four dates in ​Knebworth, southern England, in September, the location of two concerts in 1996, ​where they played to a combined 250,000 people.

Oasis were the ‌biggest guitar band of the 1990s. Their debut album “Definitely Maybe” in 1994 was an instant hit. Its follow-up “(What’s the Story) Morning Glory?” was the decade’s biggest selling record.

Tension between Noel Gallagher, the band’s main ⁠songwriter, and his younger brother, lead singer Liam, led to the band’s split in 2009.

News in 2024 that the brothers were reuniting led to a ⁠frenzy to buy ‌tickets. Thousands of fans endured hours of waiting, ⁠only to find ticket prices had jumped when they ​reached ‌the front of the queue.

But the return to ​the stage in ⁠Cardiff delighted both fans and critics, who said the group sounded as good as it ever had.

A documentary about the reunion tour, called “Oasis: Don’t Look Back in Anger”, was shown at the Venice Film Festival earlier this month.

($1 = 0.7409 pounds)

(Reporting by Paul Sandle; Editing by Kate Holton ​and Barbara Lewis)

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